Copyeditor's Manifesto

 

Updated December 16, 2004.

 

A lot of this may seem silly and basic, but you would be amazed at how the English language can be mutilated.

 

  1. ‘A lot’ is always two words
  2. ‘Into’ is never two words (ok, it is, but rarely).
  3. ‘Anyway’ does not have an ‘s’ at the end of it.
  4. ‘All right’ is always two words
  5. Always write ‘If I were…’ not ‘if I was…’

 

Parts of Speech

 

Noun: a person, place, thing, or concept

            Jen is the editor.

 

Pronoun: a word that stands in place of a noun

            She is a jerk.

 

Verb: a word that denotes an action or a state of being

            He never wears shoes. (action)

            He is fun to tease. (state of being)

 

Adjective: a word that modifies a noun or pronoun

            Jen rarely gets enough sleep.

 

Adverb: a word that modifies a verb, an adjective, or another adverb

            He frequently smokes horribly disgusting cigarettes.

 

Preposition: a word that shows the relationship between its object and another word in the sentence

            She lives in this office. (‘office is the object of ‘in’)

 

Conjunction: a word that links to parts of a sentence

            Jen is a trial, but we put up with her.

 

Interjection: a word that denotes strong feeling

            Man! Jen sure looks haggard today.

 

Scruffy Zine Protocol

 

  1. We here at The Scruffy Zine always use Canadian spelling for words such as harbour, neighbour, and center, but we spell words like organization and realization with a ‘z’.  I don’t know if the ‘z’ is a Canadian ‘zed’ or an American ‘zee’ but no matter. That is how we do it.
  2. Write 1920s unless you mean to show possession, in which case write 1920’s.  Do not write ‘20s; instead, spell out ‘twenties’.
  3. Numbers from one to ninety-nine are written out in full. Numbers equal to or above one hundred can be written in words or numerals; you choose.  Scores and states may be written in numerals all the time, and percentages in any section should also be written in numerals and followed by a percent sign (%)
  4. In every article, news story, or editorial, write out even the most common abbreviations in full the first time you mention them. Put the abbreviation in parentheses beside the name.  From then on, use the abbreviation. Remember, abbreviations that are pronounced as initials are just abbreviations, and so a period should appear after every letter. Abbreviations that are pronounced like words are actually acronyms and they do not get the period treatment.
  5. When mentioning the Scruffy Zine, first write out the name in full, italicize it (rules for bolding, underlining and italicizing to follow) and then shorten to ‘The Zine’ for the rest of the piece.
  6. Names of major works (movies, plays, novels, CDs, and television programmes) appear in italics. Names of lesser works (poems, short stories, particular episodes on television, and song titles) appear in “quotation marks”. Band names can appear in bold type.
  7. The date is always written out in full and the time is written with a colon, two zeros. And pm or am, not capitalized. ‘Pm’ and ‘am’ are the only two abbreviations that are not acronyms but do not receive the period treatment. Don’t ask, just obey.
    1. This book was written on Saturday, January 16, and hit the shelves at 1:30 pm.

 

Some Notes on Punctuation

 

  1. Apostrophes can sometimes be catastrophes.

In contractions, apostrophes represent the missin’ letters.

All singular nouns show possession with an ‘apostrophe-s’ even if the noun already ends with an ‘s’. Plural nouns that do not end in ‘s’ also show possession with an apostrophe-s. Plural nouns that end in ‘s’ show possession with an apostrophe at the end of the word.

Singular:                        Mr. Jon

Singular possessive:      Mr. Jon’s

Singular:                        Mr. Jones

Singular possessive:      Mr. Jones’s house

Plural:                            the Joneses

Plural possessive:          the Joneses’ house

Also plural possessive:  the women’s house

 

  1. “Quote…Unquote”

When placing an unusual term or the title of a published work in quotation marks, remember that the quotation marks become part of the term or title, and that all other marks of punctuation that are not part of the title go outside the quotation marks.

Over the Christmas holidays, I listened to “Jingle Bells”, “Carol of the Bells”, and “Deck the Halls”.

A sentence that is a quotation of someone’s speech should be written as its own individual sentence contained within the quotation marks.

         He said, “I can’t take this anymore!”

A whole sentence that would ordinarily end with a period but is quoted as part of a larger sentence ends with a comma inside the quotation marks.

He said, “I need a cigarette in the worst way,” and then he walked out of the room.

For whole sentence that would ordinarily end with one of the other end marks, but that mark inside the quotations and then carry on with the sentence.

He shrieked, “I can’t take this anymore!” and then he fizzled into a seething puddle of boiling acid and disappeared before our very eyes.

Do not put extra commas or periods outside of the quotation marks.

Use double quotes for everything except quotes within quotes; then use single quotes.

He grumble, “I read ‘The Masque of the Red Death’ yesterday and it was horrible!”

  1. Colon Cancer

The four end marks exist in a hierarchy. They are comma, semi-colon, colon, and period, in order from weakest to strongest. In short, the comma separates the parts of a list. The semi-colon separates parts of a list where the parts are long and complicated and it also separates complete sentences. The colon only introduces a list, although you can have a list of one. The period ends a sentence. If used correctly, the end marks work together in perfect harmony.

Dinner was horrible as usual; Marriott served three things: raw sewage with peas, carrots, and undercooked broccoli; toxic waste a la king with putrid salmonella-ridden chicken, tarragon, and one other strangely suspicious mystery spice that might have been ginger; and for dessert, sugared monkey entrails in a sauce of rancid butter-cream.

 

  1. Homonym Errors

a)      ‘It’s is a contraction of ‘it is’

‘Its’ is a possessive pronoun

      It’s really too bad that the dog didn’t get its dinner last night.

b)      ‘Two’ is the number 2.

‘To’ is a preposition

‘Too’ is an adverb

      Two people went to the store that sold apples, pears, and shoes, too.

c)      ‘Who’s’ is a contraction of ‘who is’

‘Whose’ shows possession

      Who’s the loser whose wallet I found in the garbage bin?

d)      ‘They’re ‘ is a contraction of ‘they are’.

‘There’ is an adverb.

‘Their’ shows possession.

They’re the fools who never remember that their mailboxes are over there.

e)      ‘Which’ is a relative pronoun.

‘Witch’ is a noun.

      The witch wears a long pointed hat, which she found in Sally Anns’s.

 

The Good Sentence

 

A sentence must have a subject and a verb.  Sometimes, however, the subject is not written but implied.

      Hold down the fort. (‘You’ is the implied subject)

A string of words that does not boast a subject and a verb is not a real sentence and is therefore forbidden.

      The four-horse chariot in my garage. (no verb)

      Flew to the moon. (no subject.)

Two complete sentences that are joined together with a comma constitutes a comma-splice.  Comma-splices are forbidden.

      The Federal Minister of the Environment is coming to Mount Allison, they forgot to tell Sam about it until yesterday.

To fix a comma-splice, replace the comma with a semi-colon or a period and a capital letter or a conjunction.

 

A verb construction placed incorrectly in a sentence is (usually) a dangling participle or a dangling modifier.

Walking down the street, the doll in the window jumped out at me and I decided that I needed her.

We all know that the doll could not have been walking down the street. To avoid this confusion, write:

When I was walking down the street, the doll in the window jumped out at me and I decided that I needed her.

Make sure that verbs agree with their subjects. And remember, pronouns such as ‘everyone’ and ‘everybody’ are singular, and so they require singular verbs. Pronouns such as ‘some’, ‘many’, ‘all’, and ‘few’ are plural, and so require plural verbs.

Everyone loves his oatmeal. Many require that their oatmeal has brown sugar to make it taste just right.

Now there is a common grammar issue that makes many people indignant: As a rule, pronouns such as ‘everyone’ are completed with masculine singulars such as ‘he’ and ‘his’. Many people think this is a sexist linguistic throwback, which it is but welcome to the West, baby.  Whichever way you feel, to complete indefinite pronouns with words like ‘they’ and ‘their’ is wrong and therefore forbidden. If you must, use ‘her’ or ‘his or her’ or possibly ‘its’ instead.

 

As a general rule, it is not good form to end a sentence with a preposition, because a preposition by its nature requires and object. If you can, invert the problematic phrase.

That is the tree he sat under.

That is the tree under which he sat.

If you can’t, don’t worry about it.

 

Steps to Copy Editing Perfection:

  1. Read article carefully.
  2. If the article came in on email, make sure the word-wrap and the margins are correct. Sometimes this means you have to wrap the words yourself. This is annoying but it saves the production people endless amounts of stress.
  3. Spell check. Ideally, the spell-checker should only notice proper nouns (and probably the Canadian spellings if you are working in another country.)
  4. Change all double spaces after periods and such like to single space.
  5. Save your file.

 

After having said all this, it should be pointed out that there are instances where grammar is plum thrown out the window.  As this is primarily a literary zine, there will be times when common grammatical rules are purposely flouted.  The obvious examples are poetry, but this can also happen in prose, editorial rants, etc.  Poetry should only be check for spelling.  Editorials should only have major errors changed.  Prose can be difficult to judge sometimes; the Zine promotes experimentation and general oddity in writing.  Therefore, whenever possible there will be a note included with prose pieces to indicate how stringent the editing should be.  If it seems that the piece is using proper grammar throughout, than attempt to be consistent.  If you are ever unsure, contact the Senior Editor (Jen) and/or the Section Editor (if there is one) and ask them.